Yesterday I popped into the Towner Gallery in Eastbourne for two events. The first, a John Virtue exhibition and the second, a 90-minute talk given by the fine art photographer Ori Gersh.
John Virtue’s exhibition is a site-specific project, The Sea. The work extensively features the North Sea. As I entered the large show room, I was immediately engulfed by the huge black and white canvases. Scale and space, I thought, for this kind of work is key for the viewer to feel the full impact. Some of the canvases spanned four metres in size! Also, the non-use of colour (he considers a distraction) gives his subject matter a menacing feel. The moving waves felt strong, bold unflinching, uncompromising and dramatic. The vibrant and violent brush strokes had strong similarities to Jackson Pollock’s splatters.
His sketch books were also on view at the exhibition. As many as 70 sketch books largely documenting Virtue’s time on the coast line at Blakeney Point in Norfolk. It was amazing to see and understand how such a vast area of nothingness could be scrutinized and analysed with such intent. After the exhibition, before going off to Gersht’s talk, I considered my next project and my time living and working in Tokyo. I had just witnessed how an artist communicates his large canvases through his location. What can I do? How can I do it effectively? What should I be observing and taking in?- Always questions, forever questions.