As well as being glued to the cricket, yesterday afternoon was spent designing the audio in Audacity for the rotoscope animation in my last project, Don’t Have Nightmares 0.2: The Tokyo Underground. The audio is made up from an eclectic mix of ambient sounds. The train carriage audio is applied primarily as the base sound. Ambient sounds such as cicadas, crackling and popping wet wood and lost laughter in the breeze have been arranged fading in/out at various points. In the past, I’ve found that when experimenting in Audacity, it’s very easy to over-tweak, cut too much, over-amplify, suffocate the sound with heavy effects and end up with a cacophony as a result. While editing yesterday, simplicity is key with subtle adjustments. I’m pleased with the overall arrangement and finding my way round Audacity with more ease is encouraging.
DATA UPDATE MARCH 2017
ALIENATION & CONFORMITY (2015) Rotoscope animation, 29 seconds, 337 drawings
The Tokyo Underground was a site-specific project was made between February-July 2015 as part of a series (Don’t Have Nightmares) which explores aspects of fear in art. The resulting rotoscope animation, Alienation & Conformity is a personal interpretation of how fear pervades daily urban life while living and working in alien environments. The animated passenger pan is a comment on emotions and anxieties endured over a period of time. The journey begins with a feeling of trepidation, being watched, analysed and under scrutiny and over time the tension begins to diminish though the fear is still underlying. Though the work is largely a personal experience, it also a comment on how an economic and political system can be ruthlessly exposed and pushed into the psyche of the inhabitants. The many who are caught up within these brutal capitalistic parameters, all carrying the same flag in pursuit of profit, wealth and the material gain.
My last project (Don’t Have Nightmares 0.2: The Tokyo Underground) was to be shown earlier this month to my peers. However, and unfortunately, due to time limitations, the project didn’t get a critique (gutted!).
Final Reflections: To be honest, I don’t think it’s an accurate representation of the project, the main aim was to capture the fear in confined spaces on the Underground but filming was so problematic at times, I ditched a lot of footage. In hindsight, I should have documented more of the downs as opposed to ups on my blog. However, I’m pleased with the animation. I had little idea as to the end result. That’s the beauty of working with the medium. Tales of the Unexpected!
Sound: I’ve done quite a bit of experimenting with the audio, using train ambient, crackling fire wood and buzzing insects in Audacity. Not great results due to my technical ability but I’ve assembled the audio to how I would like it.
PART ONE Duration: 3.00 (with voice-over)
PART TWO Duration: 2.07 (with voice-over)
Alienation & Conformity Collage (2015)
Over the past few months I’ve been working on an animated film I made in Tokyo which examines conformity and a fear which I felt when living abroad for the first time, alienation. The film footage is shot on an over ground train carriage in the Tokyo. Panning 180 degrees, right to left conveys an arc of life. The pan is a comment on emotions and anxieties endured by myself over a period of time.
Alienation & Conformity Test 1
Alienation & Conformity Test 2
However, after a few tests, I felt to comprehensively project this concept, I decided to continue the sequence and pan an extra 180 degrees, the pan returning to the starting point.
Also, I’m experimenting with the relationship between live action and animation which I’m pursuing more and more in my work recently simply because I find the relationship visually engaging. Frames 94 & 146
The silhouetted passengers all matching with similar characteristics and behaviour. A feeling of trepidation, being watched, analysed scrutinized. Time, like the pan, moves jerkily along until the passengers become clearly visible, the tension diminishes, the atmosphere less threatening. Frames 225 & 305
To capture more atmosphere and mood, each frame has been rendered and textured. When projected continuously, the moving image radiates an assortment of dynamic characteristics. I had been researching artists that primarily employ composites in their work and how dramatically the visual alters as a result.
Frames 20, 90, 184 & 216
I’ve not quite completed the rendering and texturing though hope to premiere the animation on Tuesday. The audio will be completed later this year.