Sound Experiments and Collaborations(Part 1)

February and  March last year involved a lot of  sound  experimentation mainly using audacity software. Now I use audacity practically all the time now largely due to the simplicity of the interface and the ease of accomplishing something with speed, efficiency and minimal frustration. Despite taking a year out, which really hasn’t seemed like taking a year out, I’ve continued with the same working pattern these past few months. I’ve been experimenting with sound(s) on rotoscope animations  where I had previously  used copyrighted sound material.

BBC i-PLAYER RADIO

While researching techniques used by notable sound designers, I found that the documentaries on the BBC i-player radio have a range of interesting, informative and insightful radio documentaries. Last week I came across this great radio documentary, BBC Radio 4 Bleep Bleep Bloop: Music and Video Games  from 2011 (I think). Paul Bennun (video game sound designer) explores the rise of popularity in video game music/sounds. Bennun interviews  Ivor Novello award winner, Joris de Man the composer of the Kill Zone series. I was inspired by the interview!

 

COLLABORATIONS

Demons of the Mind (2014). A collaboration with Simon Smith (fine artist/musician) who incidentally modelled for the animation. After numerous ambient sounds tried and tested, Simon loops audio resembling a police siren which we thought suited the visuals,  I sampled his original sound in audacity with soundbites such as crushed glass and metallic factory sounds.

 

Heat, Light & Shadow (2014). A collaboration with Jonathan Chinchen (sound designer) who previously worked on the Psycho project Don’t Have Nightmares 0.1 2015 (Revised) last year which was finalised earlier this year. For Heat, Light & Shadow I re-worked the audio adding cicada and wind sounds.  Jonny uses samples from two films, he comments: “Sampled from Analogies: Study in the Movement of Time (1977) .  As the rhythm of the sample combined well with the visuals to augment the floating movements of the subject. The audio switches to a sample from the movie “Last House on Dead End Street” to emphasise the heat and intensity of the subject’s stare!”  A dramatic comment! 

 

Colour versions of the above rotoscopes can be seen here

 

Night Dreamer (2013). A collaboration with Jazz pianist, Jeremy Kuhles. It’s a live recording of Jeremy covering Wayne Shorter’s Night Dreamer. Amplification and noise removal were the only tweaks so not specially a sound collaboration. The original colour animation is used for promotional purposes in gif form.

 

 

 

 

 

 

 

 

 

 

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