Alienation & Conformity

Over the past few months I’ve been working on an animated film I made in Tokyo which examines conformity and a fear which I felt when living abroad for the first time, alienation. The film footage is shot on an over ground train carriage in the Tokyo. Panning 180 degrees, right to left conveys an arc of life. The pan is a comment on emotions and anxieties endured by myself over a period of time.

Alienation & Conformity Test 1

Alienation & Conformity Test 2

 

However, after a few tests, I felt  to comprehensively project this concept, I decided to continue the sequence and pan an extra 180 degrees, the pan returning to the starting point.

Also, I’m experimenting with the relationship between live action and animation which I’m pursuing more and more in my work recently simply because I find the relationship visually engaging.  Frames 94  &  146

Tamagawa Train Pan 146

The silhouetted passengers all matching with similar characteristics and behaviour. A feeling of trepidation, being watched, analysed scrutinized. Time, like the pan, moves jerkily along until the passengers become clearly visible, the tension diminishes, the atmosphere less threatening.  Frames 225 & 305

Tamagawa Train Pan 225 Tamagawa Train Pan 305

To capture more atmosphere and mood, each frame has been rendered and textured. When projected continuously, the moving image radiates an assortment of dynamic characteristics. I had been researching artists that primarily employ composites in their work and how dramatically the visual alters as a result.

Frames 20, 90, 184 & 216

20.jpg90.jpg

184.jpg216.jpg

I’ve not quite completed the rendering and texturing though hope to premiere the animation on Tuesday. The audio will be completed later this year.

 

This entry was posted in The Tokyo Underground: Experiments, Drawings & Rotoscoping and tagged , , , , , , , , , , . Bookmark the permalink.

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