The adjective ‘dinky’ means small and neat. For me, it’s the most appropriate word that springs to mind when describing typical characteristics of bars and eateries which can be found in the labyrinths in the Tokyo Metropolis. The capacity for most bars are room for barely half a dozen. A few tables and a bar area inside the cozy interior, though in summer time, stacked up plastic bottle crates are used as makeshift chairs and the clientele spill out into the street. However, despite the size, it doesn’t seem to perturb the publicans. Business as usual.
It is well known that the Japanese are renowned for attention to detail and that opinion can be justified here. Even though the detail might not be aesthetically pleasing. Western influences are increasingly evident, for instance, bar names using English words or expressions. Postcards, signage, stickers and ripped up pages from glossy film, rock and fashion magazines, an overload of references to popular culture. Decorative styles you might see in a stereotypical student’s flat. Another predominant feature is that beauty bodes well with the unsightly. Part of the ubiquitous exterior decoration which seems ever-present outside the dwellings are the abundance of electric matter. Air conditioner ventilators, electric meters, masses of painted wire. Evidence of beauty vs ugly combinations working in harmony.